Item |
Description |
Status |
Price |
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I didn't start out to do it, but the final shape was a frustum, AKA a truncated cone. With a little more flare at the top, the maple segments would be more obviously pointed. Reducing the sides count would do the same.
This is my first piece with 18 sides and my last use of the Incra miter fence. All my future pieces will use the MiterSet tool for setting up the miter angles. It's much easier to use.Click here to visit miterset.com
and learn all about it.
145 pieces of Maple and Jatoba make up the piece and it's finished with clear lacquer. It would best be displayed as an art object because of the small base. |
For Sale |
$200 |
|
I call this pair, Tites and Mites. On the left are
stalagtites, while the mirror image on the right contains stalagmites.
Using 24 sided rings doubles the miter angle accuracy requirement over
what is needed for 12 sided rings. And, at 24 sides, the rings need a
little more help during gluing to ensure that they are true circles.
Black Walnut, Maple, and Bloodwood make up the 169 pieces in each vase. Each one is about 5" high by 6" diameter. |
For Sale |
$200 ea |
|
This vessel, composed of 24 sided rings, is an interpretation of a Ray Allen
piece. I think it's a set of small pyramids. You have to pay attention
to how many layers and how many sides to use to come out even on the
number of structures depicted.
Black Walnut, Maple, and Bloodwood make up its 169 pieces and the size is 5" tall by 6" wide. |
Gift |
$200 |
|
This is my Mayan High Rise. 24 sided rings reminiscent
of the temple at Chichen Itza. It's composed of 193 pieces from Black
Walnut and Maple.Size-wise, it ended up being 6" tall and 6" in diameter.
With its thin walls,
a steady rest is required to control the chatter while turning the top
3 layers.
|
For Sale |
$230
|
|
An Oak tree was threatening our new home, so we
cut off its top and this piece was made from one of its larger limbs. I
discovered, with this twice-turned piece, that dried Oak is very hard.
Mike Jackofsky's hollowing tool was instrumental in coping with the
hardness. |
Gift |
$200
|
On
October 9, 2017, wild fires swept through Santa Rosa,
California. Our home was in the path, so all of the pieces below, that
were there, were destroyed. |
|
This is a classic
Grecian urn shape with a feature ring that is an interpretation of a
Clarence Rennefeld design. The primary wood for this item is Cherry
which will darken over the next 6 months to a lovely reddish brown.
The vase measures 10" tall by 5" diameter and the feature ring is made
of Maple, Black Walnut, Yellowheart, and Bloodwood. A Maple plug in the
bottom completes the 217 piece urn which is finished in gloss lacquer.
The construction of the bottom employs two, staggered layers and a
multi-size plug to prevent any wood movement due to atmospheric
changes. Hollowform techniques were required for shaping the insides of
the last 3 layers. |
Destroyed
10/9/17 |
$300 |
|
This flaired vase is
an exercise in using vertical spacers to the limit. Each one is sized
at the widest it can be for each individual ring. The combination of
the miter cut of the segments and the wall slopes, make the segments
look a bit like arrows. And they look even better on the inside!
The vase measures 7" tall by 7 3/4" diameter. The light wood is Curly
Maple and the dark wood is Black Walnut. A Purpleheart plug in the
bottom completes the 241 piece vase which is finished in gloss lacquer.
The construction of the bottom employs two, staggered layers and a
multi-size plug to prevent any wood movement due to atmospheric changes. |
Sold |
$250 |
|
This hollow form is
another exercise in using vertical spacers to the limit. The
combination of the miter cut of the segments and the wall slopes, give
the segments a tapered look. Too bad you can't peek to see what they
look like on the inside!
The vase measures 9" tall by 6 1/2" diameter. The light wood is Maple
and the dark wood is Black Walnut. A Purpleheart plug in the bottom
completes the 289 piece vase which is finished in several coats of
gloss lacquer and buffed/polished to a perfect finish.
No cheating on the construction of this one by building as two halves
and then joining. This one was assembled a layer at a time all the way
from the bottom to the top!
The construction of the bottom employs two, staggered layers and a
multi-size plug to prevent any wood movement due to atmospheric changes. |
Destroyed 10/9/17 |
$350 |
|
This hollow form is an
exercise in using vertical spacers to the limit. Each one is sized at
the widest it can be for each individual ring. The glue joint between
the miter cut of the segments and spacers gives a tapered appearance
caused by the wall slope. And they look even better on the inside!
The vase measures 9 3/4" tall by 5 1/2" diameter. The light wood is
Maple and the dark wood is Black Walnut. A Purpleheart plug in the
bottom completes the 313 piece vase which is finished in gloss lacquer.
No cheating on the construction of this one by building as two halves
and then joining. This one was assembled a layer at a time all the way
from the bottom to the top!
The construction of the bottom employs two, staggered layers and a
multi-size plug to prevent any wood movement due to atmospheric changes. |
Destroyed
10/9/17 |
$300 |
|
This is a Weed Pot
gone wild! 805 pieces using Cherry, Yellowheart, Ebony, Bloodwood, and
Cocobolo (plug in the bottom).
After deciding upon the Navajo border pattern and a zigzag for the
feature ring, I still needed something to provide movement in the
piece, but I wanted to keep it simple. Playing around with vertical
spacers, I happened on the idea of a progression of spacer widths. I
tried various relationships to the object diameter and ended up with a
simple progression starting with a minimum size just above the feature
ring and growing as you move upward to the top. It looks like a
fountain!
I learned a new detail on the assembly of rings with a full set of
vertical spacers. You can make the ring as two halves so you can touch
up the diameter ends to match. But you better think about it before
leaping. One half has to have both spacers! |
Sold |
$400 |
|
No, it'st not a
segmented piece! But where else can I show it? This is a simple
hollowform turned from a log of White Sycamore (I think?) and then dyed
in the fashion of Chris Pytlik using Procyon dyes (yellow, orange, red,
black) and finished in clear lacquer, sanded, and buffed to a high
polish. When you start applying the dye, the first thought is "What
have I done?." Then you keep on applying dye, watching it develop and
the colors merge until an inner voice calls out ("It's done dude!"). |
Sold |
$150 |
|
The feature ring
design in "Lasting Vision" represents the
butterfly, a symbol of everlasting/eternal life. Its colors of Maple,
Walnut, and Lacewood are echoed in the two simple mosaic rings above
it. The clear acrylic inserts are repeated above the two mosaic rings
as a set of vertical spacers through which you can actually see the
wood grain on the opposite side of the neck interior. All of these
special features drove the piece count up to 674 and the project time
to about 20 hours. The piece was finished first with clear lacquer to
preserve the wood colors as much as possible and, after the grain was
filled, coated with one layer of polyurethane to provide a durable
finish. The piece is fitted with a 12 oz. tumbler inside so it may be
used for real floral arrangements instead of merely dried flowers. |
Sold |
$800 |
|
This project is a 10"
salad mixing bowl with 12 sided layers
and mostly comprised of hard Maple. Its design, fabrication, turning,
and finishing are the subject of my new 120 minute DVD on segmented
turning. The feature ring is actually two rings made up of zigzag
elements turned on their sides to form chevrons. Above and below the
chevron rings are thin rings of Yellowheart and Purpleheart to set the
lightning-like design off from the rest of the project. After final
turning, the bowl was sanded to 600 grit, sealed with a Lacquer based
sanding sealer, and then the surface was filled with clear lacquer to
preserve as much of the natural wood colors as possible. A final
polyurethane coat was applied then to provide a super durable finish
that will allow the piece to be used regularly. The total project time
was
about 12 hours for this 397 piece item. |
Destroyed
10/9/17 |
$600 |
|
This project is a 6
3/4" sphere atop a 3 1/4" cube of
Plexiglass. The design of the piece was made using the Sketch-A-Bowl,
Zigzag Designer and Layer Tuner features of Segmented
Project Planner
and with a little help from Paint. The sphere contains 410 pieces
consisting of Birds Eye Maple, Black Walnut and Ebony dust. Decorating
the sphere is a central band of zigzags (1st generation lamination) and
two chevron bands which are zigzags turned on their sides. I learned
with this project that chevrons are a lot easier to accomplish than
pure zigzags; even after coping with the high angle miter cuts (65
degrees) required for them. The Ebony dust was mixed with polyester
resin to make two accent rings just off the poles of the piece after
the sphere was turned using the multiple axis method. The project is
finished with clear lacquer to preserve the original wood colors as
much as possible. The Plexiglas/acrylic cube was constructed from 1/4"
clear material and then put on the lathe to cut out the hole in its top
for the sphere. The total project time was about 10 hours. |
Destroyed
10/9/17 |
$400 |
|
This piece took "Best
of Show" at the 2006 Mid-State Fair in
Paso Robles. While the major part of this bowl is Cherry, there are a
lot of other things to look at. The primary feature ring is as set of
thunderbirds constructed in the "Cookie Log" style. The background of
each bird is Maple and the bodies alternate in Mahogany and Black
Walnut. Notice that the heads of the birds are all facing to the right.
Above the thunderbirds is a ring of chevrons (actually a double zigzag
laid on its side) alternating also in Mahogany and Black Walnut with
Maple as the background color. This time the design is facing left to
keep the whole thing from getting wound up too tight. After you count
up all the pieces, the magic number is 480. 48 of the pieces are Ebony.
The finish is brushed on gloss polyurethane using my super-slow turning
attachment. |
Sold |
$350 |
|
This piece took a
first place and the judges award at the
2005 Mid-State Fair in Paso Robles and was sold, on display and won 1st
Runner Up in the California Contours 2006 show in San Luis Obispo.
Dubbed 'Sequences' the feature ring is composed of Yellowheart and
Purpleheart vertical strips with their widths determined by the
Fibonacci Sequence (1-1-2-3-5-8-13, etc.). The second sequence/series
comes into play with the half-sine waves. The effect was achieved by
first making two sticks with alternating woods of the appropriate
widths. One stick was the mirror image of the other. Then the two
sticks were stacked and the sine wave was cut on a bandsaw with its
table tilted about 3 degrees. The upper half from the top piece is
mated with the lower half from the bottom piece to get a perfect fit.
The left over pieces make another set that is almost as good. The
finish was special for this project as I wanted to preserve the light
color of the Maple. Clear lacquer was used to build up the finish and
then a final coat of polyurethane was applied to get the super glossy
and tough finish that will allow this piece to be used daily for many
years. |
Sold |
$350 |
|
Inspired by a piece
made by Clarence Rannefeld, this 13" bowl boasts Cherry, Lacewood,
Black Walnut, Maple, and Ebony. The interlocking chevrons alternate in
Lacewood and Black Walnut on the Maple background. Including the small
plug in the bottom, the piece totals out at 253 pieces. It is finished
with polyurethane varnish and polished. |
Sold |
$350 |
|
Here's a challenging
project. It's a set of 5 nested balls composed of several kinds of wood
and using varying constructions. And what you see is only half of the
effort; there were 10 jamb chucks to be made to hold the balls during
rounding. The inner-most ball is solid Maple at about 1.25" in
diameter. The next ball is solid Bubinga with walls about .25" thick.
Then comes a glue-up of Purpleheart, Yellowheart, and Redheart, looking
much like a pool ball. The next one is made of Bubinga and Cocobolo
with Yellowheart stripes between. I'm reminded of a Bocci ball. The
outer-most ball is composed of Maple, Cherry, and Black Walnut and is
constructed of segmented layers. This piece is on display in the
California Contours 2006 show in San Luis Obispo during May and June.
The finish in this case is friction polish and paste wax. |
Sold |
$300 |
|
The feature ring for
this 10" Cherry bowl was made as a 1 1/2 generation lamination. The
diamonds were created starting with a lamination board composed of
Zebrawood in the center, then symmetric bands of Maple, and then
borders of Lacewood. I cut this board into 1 1/2" strips, flipped every
other piece over, and glued it all together to form the typical 1st
generation zigzag pattern. Then I split the whole thing down the
middle, slid one half by one-half of a repeat, and glued it back
together to form the diamonds.
Immediately above and below the feature ring are narrow bands of Maple
and Ebony to set it off.
If you count every little glue joint, a lamination drives up the piece
count; in this case to 325. The finish is brushed on gloss polyurethane
using my super-slow turning attachment. |
Sold |
$350 |
|
I made this
combination project (part segmented, part solid block) as a present to
a person who recently helped me obtain a pile of very nice wood at a
very attractive price. I want him to think of me in the future. The
base started as a disk cut from a solid block of Maple. I started this
project by mounting the Maple disk on a screw chuck and turning the
outside and chucking mechanism on the bottom. Then I added a segmented
ring to the top composed of Black Walnut and Maple and turned the piece
around in my standard Nova chuck to cut the inside. After I completed
this, I reversed the piece again in a set of Cole jaws to remove the
chucking mechanism from the bottom. The piece was finished with
alternating applications of Watco Danish oil and paste wax after
sanding to the 1500-grit level. |
Gift |
$100 |
|
This salad mixing bowl
uses a Navajo blanket border for the feature ring which is composed of
Ash and Black Walnut. The rest of the bowl is Cherry save the bottom.
For the bottom I used Cherry, Maple, Walnut, and Ebony to form a
Tumbling Blocks medallion. The piece count for this 6-3/4" x 10" piece
is 192 and it took about 10 hours for construction and finishing. While
I've promised this one to my wife, along with 4 small bowls to match,
I'm willing to try it again. |
Gift |
$335 |
|
This bowl uses a
common indian design that shows a black
snake coiling around a red line. The red line is Redheart and the dark
snake is Rosewood while the remainder is Maple. I carried the red and
black theme into the bottom of this bowl forming a bulls eye pattern.
The piece count for this 6-3/4" x 10-1/4" piece is 169 and it took
about 10 hours for construction and finishing. |
Sold |
$300 |
|
I started out making a
modified form of the earlier Delft
bowls but managed to design it with a Glue-Up tolerance of only 1/16".
That's what I usually achieve but making it a requirement and basing
all the cutting on that assumption led to a problem in the feature
ring. I discovered that my roundoff compensation wasn't quite large
enough so a couple of the sub-rings couldn't be used. My 1/8" Glue-Up
tolerance was masking the problem. The next release of the program
gives more compensation and the bowl came out a little different. In
making it different, I got the opportunity to try out some new
pre-glued, iron on Walnut veneer. For the finish I've gone back to
Polyurethane varnish. The piece is very new, so the Cherry hasn't even
started to darken. In 6 months the contrast between the Maple and the
Cherry will be quite pronounced. The piece count for this 4-1/2" x
10-3/4" piece is 205 and it took about 10 hours for construction and
finishing. |
Gift |
$250 |
|
Sometimes I like to
get playful with a project and here is an example. The shape is the
basic weed pot. Don't ask me
where the name came from. I used Cherry for the base wood and inserted
two swirls of Maple. In the center of each of the
Maple segments, I drilled a hole. Then, as I assembled the bowl, I used
a coping saw to cut out the path between the drilled
holes. When all was done, I used a rotary rasp, then a file, and
finally sand paper to sculpture and smooth out the swirl. For the
finish I went to Watco Danish Oil Finish and Carnauba wax in
alternating applications using wet-or-dry sand paper
with each oil application. The piece is still new, so the Cherry hasn't
done much darkening. The piece count for this 7"x10" hollowform piece
is 253 and it took about 12 hours for construction and finishing. |
Sold |
$300 |
|
The basic shape of
this bowl was borrowed from my Indian Motif project. But I wanted to
try something with some scroll
saw work. I searched through all my clipart files and came up with a
simple wave. But the Segmented
Project Planner did not
allow me to show what it would look like. So, the program got a new
capability which allows one to paint any segment with
virtually any graphic. If you could figure out a way to put your
favorite photo on the side of a project, the program would
show you what it would look like. The base wood for this project is
Cherry while the waves and sky are alternating pieces of
Walnut and Lacewood. Framing the waves and sky are Maple, Narra, and
Paduak. I used outdoor polyurethane varnish for the first
three coats of finish to help preserve the paduak's color. The piece
count for this 10"x6" bowl is 193 and it took about 10 hours for
construction, including the scroll saw work, and finishing. |
Sold |
$350 |
|
No, you're eyes do not
deceive you. This is not a segmented piece. This started as a block of
Redwood burl my son gave me for Christmas 2 years ago. It had a large
open area and I wasn't ready, at the time, to tackle it. Well, now I
finally have. With a gap of ~25% of a rotation, you would have thought
the chisel would be bouncing all over the place. But it really wasn't
all that bad. Sanding, however, was another story. I ended up wrapping
sand paper around pieces of dowel. The finish is Watco Danish Oil
Finish and Carnauba wax in alternating applications. |
|
N/A |
|
I liked the feature
ring in the previous bowl but thought it could be improved on. I spent
a few minutes in the Segmented
Project Planner to add another layer below the feature
ring and reworked the feature ring pattern to make it simpler. But, to
get what I wanted, the project went to 18 sides. Use a little math and
you'll see I immediately broke my new vow and created yet another 72
segment ring. The base wood is again Cherry but I changed the light
wood in the feature ring to Ash and oriented its grain to get more
character. The piece count for this 13" piece is 307 and it took about
11 hours for construction and finishing. |
Destroyed
10/9/17 |
$350 |
|
I switched to Cherry
as the base wood for this bowl whose design is loosely borrowed from a
china serving bowl I saw in a catalog. The feature ring is composed of
Maple and Black Walnut and the center band of this ring ended up being
a ring of 72 segments. I vowed never again to cut so many pieces for
just one ring. The project was designed entirely within the Segmented
Project Planner, using Sketch-A-Bowl to get the shape and
AutoBowl to set the wall thickness. The total piece count for this 13"
bowl is 193 and it took about 9 hours for construction and finishing.
One of my wife's quilting pals has decided that this one is "hers". |
Sold |
$275 |
|
Here is a new project
designed entirely within the Segmented
Project Planner. I used the Sketch-A-Bowl function to get
the shape and then used AutoBowl to set the wall thickness. For
adornment, I created a mountain-like pattern as a Segment Design and
applied it to all segments of one layer. This pattern consists of
Yellow Heart for the sky, Lacewood for the mountain bases, and Purple
Heart outlining the tops of the mountains. Above and below this layer I
sub-divided a layer into bands of Maple, Cherry, and Ebony which were
glued up as a sandwich. The rest of the bowl is Maple. The total as
built piece count is 193 for this 10" bowl and it took about 11.5 hours
for construction and finishing. |
Sold |
$300 |
|
Designed entirely
within the Segmented
Project Planner, this project started with the
Sketch-A-Bowl function to set the initial shape. Then I used AutoBowl
to set the wall thickness. Finally, I created an indian style pattern
for the ring near the top which is composed of Mahogany, Black Walnut,
and Maple. The rest of the bowl, except for the Cherry layer, is Maple.
The total piece count was 157.
This piece was sold for $500 at the Hospice of San Luis Obispo County
auction on 9/27/2003. |
Auctioned |
$500 |
|
I had a 12" white
globe from an old "touch" lamp that had
long since lost its "touch". I resurrected it by constructing a 12"
globe to match it for a new lamp. This was my second project using the
"Segment Designs" capability of the Segmented
Project Planner. The band
in the middle is composed of Mahogany, Yellow Heart, and Maple. The
checkerboard band just above and below it is a combination of Red Birch
and Maple. The segmented globe is composed of 250 pieces and the
completed lamp stands 25" tall. |
Destroyed
10/9/17 |
$375 |
|
This is my first
project using the "Segment Designs"
capability of the Segmented
Project Planner. The band is a simple slash
of Yellow Heart on a field of Purple Heart. Then a thin band of Yellow
Heart is added to the top and bottom of the band. This project caused
me to redesign my miter sled so that I could quickly and cheaply
accommodate the multiple miter angles. 121 pieces make up this piece. |
Destroyed
10/9/17 |
$150 |
|
I tried a simple, but
unusual, shape for this project which
is intended as a vase. It looks sort of like an old spittoon. The
primary material is Maple with Black Walnut making up the two swirls as
well as the two bands at the top and bottom. It measures 9" x 7" and is
composed of 133 pieces. |
Destroyed
10/9/17 |
$185 |
|
I bought some 1/4"
thick Zebra Wood and tried to come up with
something that would show off its grain. The top ring of these bowls is
a complex ring. The base of this ring has the Zebra Wood oriented to
show its grain to the side and is backed with some Maple to give it
stability for gluing and flattening. The interior Maple was removed
during the turning so the grain shows from both the inside and the
outside. The upper half of the ring has the grain oriented to show from
above. The rest of the material is Maple. Each bowl is made up of 72
pieces and they measure 6" x 3". |
Sold |
$100 |
|
Here's proof you can
make use of those rings you made in error! I had several assorted Maple
rings laying about taking up space. I cut a couple more rings and made
bases to end up with a set of three nested bowls. My mom got these last
Christmas. |
Gift |
N/A |
|
Here's a tall bowl,
9-1/2", featuring complex curves. The base wood is Red Birch.
Near the top is a sandwich of two pieces of Bolivian Rosewood and one
of Yellow Heart. Just below the middle is a checkerboard ring of Yellow
Heart and Purple Heart banded above and below with Walnut. The piece
count is 234. |
Destroyed
10/9/17 |
$195 |
|
This simple cookie jar
is my first project designed entirely
within the Segmented
Project Planner. No sketch of any kind was made
prior to going to the computer. This project also caused me to add
segment coloring to the program's capabilities. The base wood is Maple
with the "C" on the front and back made from Walnut segments. It
measures 7" x 9" and is made up of 234 pieces. |
Destroyed 10/9/17 |
$210 |
|
These hemispheric
salad bowls are fashioned from Black Walnut with thin rings of Maple
added for contrast. |
Gift |
N/A |
|
These straight-lined
creations come from well aged hard Maple flooring material with thin
rings and divisions from Black Walnut. The maple came from a friend who
had the pieces in her attic for several years. What a surprise when the
wood came back to her in this form! |
Gift |
N/A |
|
Maple, Alder, Red Oak,
Cherry, and Black Walnut adorn this piece. Stacking the layers in an
offset fashion gives the dramatic illusion of spirals. Shaping the
cross-section as a quarter circle heightens the effect. |
Sold |
$145 |
|
Who says all turnings
have to be bowls? This plate is Maple
with inlaid Black Walnut diamonds. This 11" project is composed of 31
pieces. While the picture looks pretty good, I think it looks best when
piled high with chocolate chip cookies. Do you think the nut people
would be interested? |
Sold |
$75 |